Enno Wigger is an interdisciplinary designer who tries to perfect his work in detail as well as to keep an eye on the big picture. He likes the idea of diversified work in cooperation with a large network of partners and friends. Believing in the importance of design and creative thinking, Enno also explores new trends in culture and technology. INFO ...
In times of big social and climatic challenges, but also numerous technological possibilities, we are dependent on progressive ideas. Any unusual concept, any bizarre vision, utopia or dystopia can help us figuring out how we want to live.
About 500 years after Thomas More founded the term with his travel report to “Utopia,” Mayhap Magazine is a platform for so supposed fantasies and a tribute to the phenomenon that is so difficult to grasp and yet so fascinating.
In addition to ideas and experiments on urbanity, technology and society as well as art and culture, the magazine also covers historical insights and thoughts on utopian thinking.
The magazine was edited and designed as part of my bachelor thesis in winter 19/20.
Banners, flags, posters etc. for the Munich Opera Festival and ‚Opera For All‘ of the Bavarian State Opera.
Worked on this during my internship at Bureau Borsche. Art direction by Mirko Borsche.
Editorial design for Super Paper No.117.
Done during my internship at Bureau Borsche. Art direction by Mirko Borsche.
Featuring the work of Miro Tiebe.
Parcours is not just an exhibition, it’s also a process. The result of a sequence of moments. Fleeting. Intense. With dedication and sweat. With nervousness and joy. Focussing on the essentials.
At the end of July 2018, graduates of the Münster School of Design exhibited their bachelor and master theses at the graduation exhibition Parcours 18.
A group of students developed the concept and identity, designed the exhibition and organised the event from top to bottom.
41 – 43 is the magazine of the Indiecon Summer School. It is produced in just five days in a rapid-publishing workshop before the Indiecon Festival. Together with the team of Froh! journalists, photographers, illustrators and designers explored various forms of resistance.
The summer in Hamburg was overshadowed by the G20 summit and the riots surrounding it. Suddenly the question arose with great urgency how intelligent system criticism might look in 2017.
Get your copy here.
What are places of refuge? How do you live in other cultures? How can a refugee family live in central Europe? How can integration succeed after the hardships of escape? How can a life of security, peace and dignity be guaranteed? And what contribution can architecture make?
A dedicated team did the curation, exhibition and poster design for the exhibition, that took place in the district government of Münster in July 2018.
Posters “killing me softly” and “MONO+GAMY” in collaboration with Cornelius Richter, Gerrit Brocks and Jonas David Dichmann for the exhibition that dealt with the topic of “fantastic things we get incredibly close with.”
The exhibition, in which 14 designers participated, was shown in March 2018.
Project Bloom is the digital adaptation of Rhizom 24. The parallel analogue project at the Münster School of Design develops a topic-based magazine every semester. In Summer 2017, the twenty-fourth edition of the Rhizom examined fast-moving life in terms of design, but also as a cultural construct and a generative phenomenon of our contemporary culture.
Students of the department explored the subject and, in addition to text production, also carried out the editorial and design implementation. In a symbiosis of print and web, the speed of our time should be experienced with all senses. Project Bloom wants to show the potential of the digital, which is often criticized for this alleged rapidity.
Enno Wigger is an interdisciplinary designer who tries to perfect his work in detail as well as to keep an eye on the big picture. He likes the idea of diversified work in cooperation with a large network of partners and friends. Believing in the importance of design and creative thinking, Enno also explores new trends in culture and technology. INFO ...
In times of big social and climatic challenges, but also numerous technological possibilities, we are dependent on progressive ideas. Any unusual concept, any bizarre vision, utopia or dystopia can help us figuring out how we want to live.
About 500 years after Thomas More founded the term with his travel report to “Utopia,” Mayhap Magazine is a platform for so supposed fantasies and a tribute to the phenomenon that is so difficult to grasp and yet so fascinating.
In addition to ideas and experiments on urbanity, technology and society as well as art and culture, the magazine also covers historical insights and thoughts on utopian thinking.
The magazine was edited and designed as part of my bachelor thesis in winter 19/20.
Banners, flags, posters etc. for the Munich Opera Festival and ‚Opera For All‘ of the Bavarian State Opera.
Worked on this during my internship at Bureau Borsche. Art direction by Mirko Borsche.
Editorial design for Super Paper No. 117
Done during my internship at Bureau Borsche. Art direction by Mirko Borsche
Featuring the work of Miro Tiebe.
Parcours is not just an exhibition, it’s also a process. The result of a sequence of moments. Fleeting. Intense. With dedication and sweat. With nervousness and joy. Focussing on the essentials.
At the end of July 2018, graduates of the Münster School of Design exhibited their bachelor and master theses at the graduation exhibition Parcours 18.
A group of students developed the concept and identity, designed the exhibition and organised the event from top to bottom.
41 – 43 is the magazine of the Indiecon Summer School. It is produced in just five days in a rapid-publishing workshop before the Indiecon Festival. Together with the team of Froh! journalists, photographers, illustrators and designers explored various forms of resistance.
The summer in Hamburg was overshadowed by the G20 summit and the riots surrounding it. Suddenly the question arose with great urgency how intelligent system criticism might look in 2017.
Get your copy here.
What are places of refuge? How do you live in other cultures? How can a refugee family live in central Europe? How can integration succeed after the hardships of escape? How can a life of security, peace and dignity be guaranteed? And what contribution can architecture make?
A dedicated team did the curation, exhibition and poster design for the exhibition, that took place in the district government of Münster in July 2018.
Posters “killing me softly” and “MONO+GAMY” in collaboration with Cornelius Richter, Gerrit Brocks and Jonas David Dichmann for the exhibition that dealt with the topic of “fantastic things we get incredibly close with.”
The exhibition, in which 14 designers participated, was shown in March 2018.
Project Bloom is the digital adaptation of Rhizom 24. The parallel analogue project at the Münster School of Design develops a topic-based magazine every semester.
In Summer 2017, the twenty-fourth edition of the Rhizom, examined fast-moving life in terms of design, but also as a cultural construct and a generative phenomenon of our contemporary culture.
Students of the department explored the subject and, in addition to text production, also carried out the editorial and design implementation. In a symbiosis of print and web, the speed of our time should be experienced with all senses. Project Bloom wants to show the potential of the digital, which is often criticized for this alleged rapidity.